In the context of ARTZINES and my on-going
research about zines made by artists, it was very
important to meet Gee Vaucher to talk about
International Anthem, the zine that she started
making in New York in 1977, but also about the
work that she did during the Crass years. Somehow,
she seems to get bored answering over and over
the same questions about works she did for Crass
more than 30 years ago, and she seems much more
interested to talk about more recent works, like the
painting series Children Who Have Seen Too Much
Too soon (2006), which better expresses her on-going
concerns. This issue attempts to show the different
facets of an artist that people always liked
to reduce to one work or one era. As her garden
and the house she has been living in for more than
50 years are a very important part of her life, the
images that compose this issue are split 50% for
her artworsk, and 50% of pictures of her garden
taken on the day of the interview.

ENGLISH

Spécimen Typographique : No Ko - Loris Pernoux
HARTES BROT - Moritz Schermbach
Gros Gris n°4 - Duel
Don't forget to touch me - Anne Sylvie Henchoz
A l'origine - Anne-Émilie-Philippe
L'inventaire des destructions - Éric Watier
Halogénure #04
Mission Control - Emir Karyo & Jan Wojda
Entre les lignes - Françoise Jaunin
How Many - Nathalie Du Pasquier
Pluie - Coll. - Lagon revue
JJ – Tartine-moi et autres textes - Jill Johnston
interférence - 3 - maycec
Strange Design - Ed. Jehanne Dautrey et Emanuele Quinz.
Guten Tag - Pablo Tomek
Philatélie - Magali Brueder
Der Erste Rotkehlchen - Le livre
L'abécédaire d'un typographe - Gerrit Noordzij; Jost Hochuli
Shanghai Cosmetic - Leslie Moquin
Bande Annonce - Cinéma & Bande Dessinée - Coll.
Sillo n°3 - Le Fauve 











