This book of multivalent narratives began with a simple premise: the collection of sheets of paper—ripped from books—featuring multiple photographs and inlaid narratives. Across a decade of working on other projects involving pulling images apart from one another, excising them from the page and recontextualizing them as new sets, American artist Carmen Winant (born 1983) diligently collected disparate sheets, skimming them off the top of her other ongoing collections. The book that has resulted from that work is wide-ranging in terms of subject—with sheets depicting rabbinical study, dog training, surgical birth, methods of tantric sex, patterns of the sunset—yet specific in approach and application. Her constructed pages trouble how the idea of “theme” operates as the engine of a book, instead taking the act of arranging, both in discrete pages and as a whole, as its own meaningful subject.

Carmen Winant (born 1983) is an artist and writer based in Columbus, OH, where she is the Roy Lichtenstein Endowed Chair of Studio Art at Ohio State University. Winant’s recent projects have been shown at the Museum of Modern Art and the SculptureCenter, New York; Henie Onstad Kunstsenter, Oslo; Wexner Center of the Arts, Columbus; Kunsthal Charlottenborg, Copenhagen; and the CONTACT Photography Festival, Toronto. Winant’s recent artist books, My Birth and Notes on Fundamental Joy, were published by SPBH Editions, ITI Press, and Printed Matter, Inc. Winant’s work is included in the collections of the Museum of Modern Art, New York; Minneapolis Institute of Art; and the Henie Onstad Kunstsenter, Oslo. Winant was a recipient of a Guggenheim Fellowship in photography in 2019 and a Pew Center for Arts & Heritage grant in 2020. She currently holds an FCA Artist Grant and is the winner of the Images Vevey Book Award 2021/2022. Winant is the mother of two sons, Carlo and Rafa, who she shares with her partner, Luke Stettner.
Number of pages: 320
Type of printing: Offset

La construction - Perrine Le Querrec
Saveurs imprévues et secrètes - Gilbert Lascault
Ilya Ehrenbourg - Et pourtant elle tourne
Eros negro #2 - Demoniak
Fluent - Laëticia Donval
Sans titre - Benjamin Hartmann
akaBB - tribute to Roni horn
Architecture-Belvédère - Lou-Andréa Lassalle & Bérénice Béguerie
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
Anarchitecte - Olivier Verdique alias Alvar Le Corvanderpius
Goodbye - Hsia-Fei Chang, Sofia Eliza Bouratsis, Medhi Brit, Enrico Lunghi
Saint Julien l'hospitalier Tome 3 - Claire Pedot
š! #39 'The End' - coll.
Saint Julien l'hospitalier Tome 1 - Claire Pedot
Titanic Orchestra - Julien Mauve
Schindler Manifesto
Dark optics - David Claerbout
interférence - 2 - maycec
Gros Gris n°4 - Duel
Un essai sur la typographie - Eric Gill
Tomber dans l'escalier - Jasper Sebastian Stürup
Aurore Colbert - Marie Mons
Zoom Age - Julien Auregan
Saint Julien l'hospitalier Tome 2 - Claire Pedot
Le Choix du peuple - Nicolas Savary, Tilo Steireif
Imagos - Noémie Lothe
La mémoire en acte - Quarente ans de création musicale
Pectus Excavatum - Quentin Yvelin
Image Canoë - Jérémie Gindre
Deep state - Mathieu Desjardins
Ellipse - Ismail Alaoui-Fdili
Polyphème (d'après Euripide) - J. & E. LeGlatin
Inchiostri + Inchiostri Supplement - Ronan Bouroullec
Keywording (Post) Contemporary Art - Greta Rusttt
Critique d'art n°56
Blaclywall by Sihab Baik - Claude Closky
A l'origine - Anne-Émilie-Philippe
Musée des Beaux-Arts - Pierre Martel
Prose postérieure - Les commissaires anonymes
Offrir des fleurs
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Le chateau enchanté - Atelier Mclane
Comment quitter la terre ? - Jill Gasparina, Christophe Kihm, Anne-Lyse Renon
Der Erste Rotkehlchen - Le livre 















