This book of multivalent narratives began with a simple premise: the collection of sheets of paper—ripped from books—featuring multiple photographs and inlaid narratives. Across a decade of working on other projects involving pulling images apart from one another, excising them from the page and recontextualizing them as new sets, American artist Carmen Winant (born 1983) diligently collected disparate sheets, skimming them off the top of her other ongoing collections. The book that has resulted from that work is wide-ranging in terms of subject—with sheets depicting rabbinical study, dog training, surgical birth, methods of tantric sex, patterns of the sunset—yet specific in approach and application. Her constructed pages trouble how the idea of “theme” operates as the engine of a book, instead taking the act of arranging, both in discrete pages and as a whole, as its own meaningful subject.

Carmen Winant (born 1983) is an artist and writer based in Columbus, OH, where she is the Roy Lichtenstein Endowed Chair of Studio Art at Ohio State University. Winant’s recent projects have been shown at the Museum of Modern Art and the SculptureCenter, New York; Henie Onstad Kunstsenter, Oslo; Wexner Center of the Arts, Columbus; Kunsthal Charlottenborg, Copenhagen; and the CONTACT Photography Festival, Toronto. Winant’s recent artist books, My Birth and Notes on Fundamental Joy, were published by SPBH Editions, ITI Press, and Printed Matter, Inc. Winant’s work is included in the collections of the Museum of Modern Art, New York; Minneapolis Institute of Art; and the Henie Onstad Kunstsenter, Oslo. Winant was a recipient of a Guggenheim Fellowship in photography in 2019 and a Pew Center for Arts & Heritage grant in 2020. She currently holds an FCA Artist Grant and is the winner of the Images Vevey Book Award 2021/2022. Winant is the mother of two sons, Carlo and Rafa, who she shares with her partner, Luke Stettner.
Number of pages: 320
Type of printing: Offset

Tomber dans l'escalier - Jasper Sebastian Stürup
Jean-Jacques a dit - Angèle Douche
16 x 421 - Lorraine Druon
Mökki n°2
movement in squares - Stefanie Leinhos
Aristide n°4
Autodrône - Divine Vizion
Le dos des choses - Guillaume Goutal
Poster Photo Magazine n°1
Saint Julien l'hospitalier Tome 3 - Claire Pedot
Mökki n°4
10 MINUTES Architects and Designers in Conversation
Gros Gris n°4 - Duel
Saint Julien l'hospitalier Tome 2 - Claire Pedot
Du Fennec au Sahara - Guillaume Pinard
Roven n°4
Délié - Baptiste Oberson
La prise - Florian Javet
Grilles - Zelda Mauger
Cyclone - Juliette Chalaye
Eurob0ys Crysis - Massimiliano Bomba, Leon Sadler, Yannick Val Gesto
Vacuité 9090 - Jérémy Piningre
Cuadernos - Henry Deletra
Sans titre - Benjamin Hartmann
Farandole - Jérémie Fischer
akaBB - tribute to Roni horn
The Shelf - Journal 3
Débris N°2 - Théo Garnier Greuez
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
Papier magazine n°06 - Coupe du monde
Deep state - Mathieu Desjardins
il y avait une ville - Laeticia L'Heureux
Le chateau enchanté - Atelier Mclane
Temps d'arrêt - Etienne Buyse
Ventoline 6 - Coll
Heads Together – Weed and the Underground Press Syndicate - David Jacob Kramer
Eros negro #2 - Demoniak
Je ne peux pas ne pas - Geneviève Romang
ARTZINES #7 - Berlin issue
Un essai sur la typographie - Eric Gill
Before Science - Gilles Pourtier, Anne-Claire Broc'h
Planning - Pierre Escot
À partir de n°1 - Coll.
La typographie des Penguin Classics - Andrew Barker
Hmm ! - C. de Trogoff
Hybrid heads - Daniela Dossi
Strates & Archipels - Pierre Merle
SKKS - Gilles Pourtier
Sans-Titre - Laurens Van'T Riet
Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri
Wayfaring - Patrick Messina, André S. Labarthe 















