This book of multivalent narratives began with a simple premise: the collection of sheets of paper—ripped from books—featuring multiple photographs and inlaid narratives. Across a decade of working on other projects involving pulling images apart from one another, excising them from the page and recontextualizing them as new sets, American artist Carmen Winant (born 1983) diligently collected disparate sheets, skimming them off the top of her other ongoing collections. The book that has resulted from that work is wide-ranging in terms of subject—with sheets depicting rabbinical study, dog training, surgical birth, methods of tantric sex, patterns of the sunset—yet specific in approach and application. Her constructed pages trouble how the idea of “theme” operates as the engine of a book, instead taking the act of arranging, both in discrete pages and as a whole, as its own meaningful subject.

Carmen Winant (born 1983) is an artist and writer based in Columbus, OH, where she is the Roy Lichtenstein Endowed Chair of Studio Art at Ohio State University. Winant’s recent projects have been shown at the Museum of Modern Art and the SculptureCenter, New York; Henie Onstad Kunstsenter, Oslo; Wexner Center of the Arts, Columbus; Kunsthal Charlottenborg, Copenhagen; and the CONTACT Photography Festival, Toronto. Winant’s recent artist books, My Birth and Notes on Fundamental Joy, were published by SPBH Editions, ITI Press, and Printed Matter, Inc. Winant’s work is included in the collections of the Museum of Modern Art, New York; Minneapolis Institute of Art; and the Henie Onstad Kunstsenter, Oslo. Winant was a recipient of a Guggenheim Fellowship in photography in 2019 and a Pew Center for Arts & Heritage grant in 2020. She currently holds an FCA Artist Grant and is the winner of the Images Vevey Book Award 2021/2022. Winant is the mother of two sons, Carlo and Rafa, who she shares with her partner, Luke Stettner.
Number of pages: 320
Type of printing: Offset

Sans titre - Benjamin Hartmann
Critique d'art n°55
Femme, Arabe et... Cinéaste - Heiny Srour
Deep state - Mathieu Desjardins
Dans la Lune - Fanette Mellier
Eros negro n°4 - Démoniak
Un peu comme voir dans la nuit - Leif Elggren + CD
Critique d'art n°54
Seoul Flowers & Trees - tribute to Lee Friedlander
Eros negro #2 - Demoniak
interférence - 3 - maycec
Saint Julien l'hospitalier Tome 2 - Claire Pedot
La Grande révolution - Une histoire de l'architecture féministe - Dolores Hayden
The Shelf - Journal 3
Illusive prosody - Alex Beaurain
Fluent - Laëticia Donval
Saint Julien l'hospitalier Tome 1 - Claire Pedot
Aurore Colbert - Marie Mons
Mökki n°4
Image Canoë - Jérémie Gindre
La traversée - Magali Brueder
Économies silencieuses et audaces approximatives - Guy Chevalier [& coll.]
Idoine & Nayoung Kim
Aristide n°4
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
Le vieux père - Laurent Kropf
Archives Universum 01 - Flores & Prats
Pectus Excavatum - Quentin Yvelin
Je ne peux pas ne pas - Geneviève Romang
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Le blanc nez - Fouss Daniel
Bacon le Cannibale - Perrine Le Querrec
Temps d'arrêt - Etienne Buyse
Sights - Henry McCausland
Le chateau enchanté - Atelier Mclane
Trous gris - Michel Vachey
Blaclywall by Sihab Baik - Claude Closky
Dear Paul - Paul Van der Eerden
Musée des Beaux-Arts - Pierre Martel
Catalogue Art Guys - That's painting productions, Bernard Brunon
Roven n°4
Slanted 24 - Istanbul
A l'origine - Anne-Émilie-Philippe
Roven n°5
Grilles - Zelda Mauger
America - Ayline Olukman, Hélène Gaudy
Marginalia - Clément Laigle
Ar(t)chitectures situées - Étienne Delprat 















