This book of multivalent narratives began with a simple premise: the collection of sheets of paper—ripped from books—featuring multiple photographs and inlaid narratives. Across a decade of working on other projects involving pulling images apart from one another, excising them from the page and recontextualizing them as new sets, American artist Carmen Winant (born 1983) diligently collected disparate sheets, skimming them off the top of her other ongoing collections. The book that has resulted from that work is wide-ranging in terms of subject—with sheets depicting rabbinical study, dog training, surgical birth, methods of tantric sex, patterns of the sunset—yet specific in approach and application. Her constructed pages trouble how the idea of “theme” operates as the engine of a book, instead taking the act of arranging, both in discrete pages and as a whole, as its own meaningful subject.

Carmen Winant (born 1983) is an artist and writer based in Columbus, OH, where she is the Roy Lichtenstein Endowed Chair of Studio Art at Ohio State University. Winant’s recent projects have been shown at the Museum of Modern Art and the SculptureCenter, New York; Henie Onstad Kunstsenter, Oslo; Wexner Center of the Arts, Columbus; Kunsthal Charlottenborg, Copenhagen; and the CONTACT Photography Festival, Toronto. Winant’s recent artist books, My Birth and Notes on Fundamental Joy, were published by SPBH Editions, ITI Press, and Printed Matter, Inc. Winant’s work is included in the collections of the Museum of Modern Art, New York; Minneapolis Institute of Art; and the Henie Onstad Kunstsenter, Oslo. Winant was a recipient of a Guggenheim Fellowship in photography in 2019 and a Pew Center for Arts & Heritage grant in 2020. She currently holds an FCA Artist Grant and is the winner of the Images Vevey Book Award 2021/2022. Winant is the mother of two sons, Carlo and Rafa, who she shares with her partner, Luke Stettner.
Number of pages: 320
Type of printing: Offset

Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Vacuité 9090 - Jérémy Piningre
Dédale - Laurent Chardon
movement in squares - Stefanie Leinhos
Six Months - Nathalie Ghanem-Latour
Un essai sur la typographie - Eric Gill
interférence - 3 - maycec
À partir de n°1 - Coll.
The Book Fight - Chihoi
Mökki n°2
Grilles - Zelda Mauger
Illusive prosody - Alex Beaurain
本の本の本 - antoine lefebvre editions,
Tanière de lune - Maria-Mercé Marçal
From red to red - Jean-Pierre Bertrand, Patrick Javault
Le chateau enchanté - Atelier Mclane
Papier magazine n°06 - Coupe du monde
Bambi # 4 - Collectif
Aristide n°4
Le blanc nez - Fouss Daniel
16 x 421 - Lorraine Druon
Pectus Excavatum - Quentin Yvelin
Sans titre - Benjamin Hartmann
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
Gros Gris n°4 - Duel
Morph - Camilo García A.
Tomber dans l'escalier - Jasper Sebastian Stürup
Good Company - Paul Van der Eerden
Titanic Orchestra - Julien Mauve
Flynn zine # 1 - Flynn Maria Bergmann
Aurore Colbert - Marie Mons
A l'origine - Anne-Émilie-Philippe
Musée des Beaux-Arts - Pierre Martel
Jérôme LeGlatin (avec Mel Crawford) - Le Crash
Slanted 30 - Athens
Saint-Julien l'hospitalier Tome 4 - Claire Pedot
[piʃaˈsɐ̃w̃] - antoine lefebvre editions,
La tour Tatline - Georgi Stanishev
Un cheval, des silex - Benoît Maire, Sally Bonn
AARC – Alter Architecture Research Collective n° 01
Crampes pâles... Mathilde Brion et Martin Lafaye
Le corps travesti - Michel Journiac
Temps d'arrêt - Etienne Buyse
La traversée - Magali Brueder 















