This book of multivalent narratives began with a simple premise: the collection of sheets of paper—ripped from books—featuring multiple photographs and inlaid narratives. Across a decade of working on other projects involving pulling images apart from one another, excising them from the page and recontextualizing them as new sets, American artist Carmen Winant (born 1983) diligently collected disparate sheets, skimming them off the top of her other ongoing collections. The book that has resulted from that work is wide-ranging in terms of subject—with sheets depicting rabbinical study, dog training, surgical birth, methods of tantric sex, patterns of the sunset—yet specific in approach and application. Her constructed pages trouble how the idea of “theme” operates as the engine of a book, instead taking the act of arranging, both in discrete pages and as a whole, as its own meaningful subject.

Carmen Winant (born 1983) is an artist and writer based in Columbus, OH, where she is the Roy Lichtenstein Endowed Chair of Studio Art at Ohio State University. Winant’s recent projects have been shown at the Museum of Modern Art and the SculptureCenter, New York; Henie Onstad Kunstsenter, Oslo; Wexner Center of the Arts, Columbus; Kunsthal Charlottenborg, Copenhagen; and the CONTACT Photography Festival, Toronto. Winant’s recent artist books, My Birth and Notes on Fundamental Joy, were published by SPBH Editions, ITI Press, and Printed Matter, Inc. Winant’s work is included in the collections of the Museum of Modern Art, New York; Minneapolis Institute of Art; and the Henie Onstad Kunstsenter, Oslo. Winant was a recipient of a Guggenheim Fellowship in photography in 2019 and a Pew Center for Arts & Heritage grant in 2020. She currently holds an FCA Artist Grant and is the winner of the Images Vevey Book Award 2021/2022. Winant is the mother of two sons, Carlo and Rafa, who she shares with her partner, Luke Stettner.
Number of pages: 320
Type of printing: Offset

Alma Mater n°1
Salt Crystal - Fabio Parizzi
Critique d'art n°54
America - Ayline Olukman, Hélène Gaudy
Image Canoë - Jérémie Gindre
Une goutte d'homme - Alice Dourlen
Aristide n°4
People in a faraday cage - Stéphanie Gygax
Flower finds - Orianne Jeanselme
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Poster Tribune # 11
Deep state - Mathieu Desjardins
Mökki n°2
RÉVÉSZ LÁSZLÓ LÁSZLÓ , Not Secret
Gros Gris n°4 - Duel
Entrez sans sonnet - Julie Redon
Le blanc nez - Fouss Daniel
Prendre l’image, Le graphisme comme situation politique - Olivier Huz
Good Company - Paul Van der Eerden
Saint Julien l'hospitalier Tome 3 - Claire Pedot
Lili, la rozell et le marimba / revue n°2
Burning Images, A History of Effigy Protests - Florian Göttke
Zoom Age - Julien Auregan
Artzines # 10 - Show & Tell #2 NY Special
La prise - Florian Javet
Le chateau enchanté - Atelier Mclane
Oblikvaj 2 - L'amour à la maison - Yannis La Macchia, Ensemble Battida
Kriss Kross 2019 - Genêt Mayor
Theatre - Dan Graham
Zombie Girls 2.0 - Lucie Lučanská
Modern Instances, The Craft of Photography - Stephen Shore
Entretiens – Jérôme Dupeyrat
Aurore Colbert - Marie Mons
Après la révolution – numéro 1
Le Choix du peuple - Nicolas Savary, Tilo Steireif
L'inventaire des destructions - Éric Watier
Before Science - Gilles Pourtier, Anne-Claire Broc'h
À partir de n°4 - Collectif
Talweg 6 - La distance
Philonimo - Le Porc-épic de Schopenhauer - Alice Brière-Haquet, Olivier Philipponneau
La France de tête #04
Fluent - Laëticia Donval 















