This book of multivalent narratives began with a simple premise: the collection of sheets of paper—ripped from books—featuring multiple photographs and inlaid narratives. Across a decade of working on other projects involving pulling images apart from one another, excising them from the page and recontextualizing them as new sets, American artist Carmen Winant (born 1983) diligently collected disparate sheets, skimming them off the top of her other ongoing collections. The book that has resulted from that work is wide-ranging in terms of subject—with sheets depicting rabbinical study, dog training, surgical birth, methods of tantric sex, patterns of the sunset—yet specific in approach and application. Her constructed pages trouble how the idea of “theme” operates as the engine of a book, instead taking the act of arranging, both in discrete pages and as a whole, as its own meaningful subject.

Carmen Winant (born 1983) is an artist and writer based in Columbus, OH, where she is the Roy Lichtenstein Endowed Chair of Studio Art at Ohio State University. Winant’s recent projects have been shown at the Museum of Modern Art and the SculptureCenter, New York; Henie Onstad Kunstsenter, Oslo; Wexner Center of the Arts, Columbus; Kunsthal Charlottenborg, Copenhagen; and the CONTACT Photography Festival, Toronto. Winant’s recent artist books, My Birth and Notes on Fundamental Joy, were published by SPBH Editions, ITI Press, and Printed Matter, Inc. Winant’s work is included in the collections of the Museum of Modern Art, New York; Minneapolis Institute of Art; and the Henie Onstad Kunstsenter, Oslo. Winant was a recipient of a Guggenheim Fellowship in photography in 2019 and a Pew Center for Arts & Heritage grant in 2020. She currently holds an FCA Artist Grant and is the winner of the Images Vevey Book Award 2021/2022. Winant is the mother of two sons, Carlo and Rafa, who she shares with her partner, Luke Stettner.
Number of pages: 320
Type of printing: Offset

Darkest Night - Joel Van Audenhaege
Amos Gitai et l'enjeu des archives - Jean-Michel Frodon
America - Ayline Olukman, Hélène Gaudy
Deep state - Mathieu Desjardins
Before Science - Gilles Pourtier, Anne-Claire Broc'h
il y avait une ville - Laeticia L'Heureux
Après la révolution – Hors-série – JO Paris 2024. Carnets de luttes
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Rois de la forêt - Alain Garlan
Philonimo - Le Chien de Diogène - Alice Brière-Haquet, Kazuko Matt
Cuadernos - Henry Deletra
Titanic Orchestra - Julien Mauve
Hmm ! - C. de Trogoff
Shanghai Cosmetic - Leslie Moquin
Jean-Jacques a dit - Angèle Douche
D’l’or - Rosanna Puyol Boralevi
No Go Zone n°1 Canal Saint-Denis
Aurore Colbert - Marie Mons
Génération dakou - Yann Jun + CD
Temps d'arrêt - Etienne Buyse
Pectus Excavatum - Quentin Yvelin
Désolation - Verity Spott
akaBB - tribute to Roni horn
MENU メニュー - Wataru Tominaga
The Shelf - Journal 3
Der Erste Rotkehlchen - Le livre
A Journal of Militant Sound Inquiry – Vol. 1 – Naming the Moment - Ultra-red
Gros Gris n°4 - Duel
Pilote - Mathilde Sauzay
Illusive prosody - Alex Beaurain
Schindler Manifesto
Mosaïque d'asphalte - Jack Torrance
Idoine & Supermarket
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Fluent - Laëticia Donval
fig. #6 - antithèse
Objets Minces - Collectif
ICCMHW - Atelier Choque Le Goff
Goodbye - Hsia-Fei Chang, Sofia Eliza Bouratsis, Medhi Brit, Enrico Lunghi
Saint Julien l'hospitalier Tome 3 - Claire Pedot
Délié - Baptiste Oberson
Assembly - Sam Porritt
Le blanc nez - Fouss Daniel
Entretiens – Jérôme Dupeyrat
Rasclose - Geoffroy Mathieu 















