This book of multivalent narratives began with a simple premise: the collection of sheets of paper—ripped from books—featuring multiple photographs and inlaid narratives. Across a decade of working on other projects involving pulling images apart from one another, excising them from the page and recontextualizing them as new sets, American artist Carmen Winant (born 1983) diligently collected disparate sheets, skimming them off the top of her other ongoing collections. The book that has resulted from that work is wide-ranging in terms of subject—with sheets depicting rabbinical study, dog training, surgical birth, methods of tantric sex, patterns of the sunset—yet specific in approach and application. Her constructed pages trouble how the idea of “theme” operates as the engine of a book, instead taking the act of arranging, both in discrete pages and as a whole, as its own meaningful subject.

Carmen Winant (born 1983) is an artist and writer based in Columbus, OH, where she is the Roy Lichtenstein Endowed Chair of Studio Art at Ohio State University. Winant’s recent projects have been shown at the Museum of Modern Art and the SculptureCenter, New York; Henie Onstad Kunstsenter, Oslo; Wexner Center of the Arts, Columbus; Kunsthal Charlottenborg, Copenhagen; and the CONTACT Photography Festival, Toronto. Winant’s recent artist books, My Birth and Notes on Fundamental Joy, were published by SPBH Editions, ITI Press, and Printed Matter, Inc. Winant’s work is included in the collections of the Museum of Modern Art, New York; Minneapolis Institute of Art; and the Henie Onstad Kunstsenter, Oslo. Winant was a recipient of a Guggenheim Fellowship in photography in 2019 and a Pew Center for Arts & Heritage grant in 2020. She currently holds an FCA Artist Grant and is the winner of the Images Vevey Book Award 2021/2022. Winant is the mother of two sons, Carlo and Rafa, who she shares with her partner, Luke Stettner.
Number of pages: 320
Type of printing: Offset

Tomber dans l'escalier - Jasper Sebastian Stürup
Roven n°5
The Shelf - Journal 3
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
Strates & Archipels - Pierre Merle
Halogénure #04
Oraison funèbre pour Zelda1990 - Romane Constant
Promenade au pays de l'écriture - Armando Petrucci
Il est si difficile de trouver le commencement - Helen Thorington
Mökki n°4
Revue Les Saisons n°3
ICCMHW - Atelier Choque Le Goff
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
Papier magazine n°06 - Coupe du monde
Je ne peux pas ne pas - Geneviève Romang
Il était deux fois - Gary Colin
RÉVÉSZ LÁSZLÓ LÁSZLÓ , Not Secret
People in a faraday cage - Stéphanie Gygax
Autodrône - Divine Vizion
Holy Mountain - Maia Matches, Knuckles & Notch
Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri
Pectus Excavatum - Quentin Yvelin
Wayfaring - Patrick Messina, André S. Labarthe
Good Company - Paul Van der Eerden
Le chateau enchanté - Atelier Mclane
Rue Englelab, La révolution par les livres - Iran 1979 - 1983 - Hannah Darabi
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Before Science - Gilles Pourtier, Anne-Claire Broc'h
How to Become the Daughters of Darkness - Coll.
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
Editer l’art – Leszek Brogowski
Shanghai Cosmetic - Leslie Moquin
Sillo n°3 - Le Fauve
Salt Crystal - Fabio Parizzi
Talweg 6 - La distance
De lave et de fer - Laurent Feynerou
Lili, la rozell et le marimba / revue n°2
Critique d'art n°54
Tools n° 05 – Tourner
Link Human / Robot - Collectif dir. Emmanuelle Grangier
La Couleur du Geste - Héloïse Bariol
Eros negro n°3 - Démoniak
Fluent - Laëticia Donval
Saveurs imprévues et secrètes - Gilbert Lascault
Tableaux fluo - 2013-2016 - Nina Childress
Manifeste d'intérieurs ; penser dans les médias élargis - Javier Fernández Contreras
Artzines #12 Provo Special
Dédale - Laurent Chardon
Rasclose - Geoffroy Mathieu 















