This book of multivalent narratives began with a simple premise: the collection of sheets of paper—ripped from books—featuring multiple photographs and inlaid narratives. Across a decade of working on other projects involving pulling images apart from one another, excising them from the page and recontextualizing them as new sets, American artist Carmen Winant (born 1983) diligently collected disparate sheets, skimming them off the top of her other ongoing collections. The book that has resulted from that work is wide-ranging in terms of subject—with sheets depicting rabbinical study, dog training, surgical birth, methods of tantric sex, patterns of the sunset—yet specific in approach and application. Her constructed pages trouble how the idea of “theme” operates as the engine of a book, instead taking the act of arranging, both in discrete pages and as a whole, as its own meaningful subject.

Carmen Winant (born 1983) is an artist and writer based in Columbus, OH, where she is the Roy Lichtenstein Endowed Chair of Studio Art at Ohio State University. Winant’s recent projects have been shown at the Museum of Modern Art and the SculptureCenter, New York; Henie Onstad Kunstsenter, Oslo; Wexner Center of the Arts, Columbus; Kunsthal Charlottenborg, Copenhagen; and the CONTACT Photography Festival, Toronto. Winant’s recent artist books, My Birth and Notes on Fundamental Joy, were published by SPBH Editions, ITI Press, and Printed Matter, Inc. Winant’s work is included in the collections of the Museum of Modern Art, New York; Minneapolis Institute of Art; and the Henie Onstad Kunstsenter, Oslo. Winant was a recipient of a Guggenheim Fellowship in photography in 2019 and a Pew Center for Arts & Heritage grant in 2020. She currently holds an FCA Artist Grant and is the winner of the Images Vevey Book Award 2021/2022. Winant is the mother of two sons, Carlo and Rafa, who she shares with her partner, Luke Stettner.
Number of pages: 320
Type of printing: Offset

Gros Gris n°4 - Duel
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Critique & création - L.L. de Mars
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
Délié - Baptiste Oberson
Comic Book (Untitled) - Stéphanie Leinhos
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
akaBB - tribute to Roni horn
Critique d'art n°54
Graphzine Visages
Manifeste d'intérieurs ; penser dans les médias élargis - Javier Fernández Contreras
Le Choix du peuple - Nicolas Savary, Tilo Steireif
Heads Together – Weed and the Underground Press Syndicate - David Jacob Kramer
16 x 421 - Lorraine Druon
La peinture c'est comme les pépites - Pierre Yves-Hélou + Tirage
movement in squares - Stefanie Leinhos
Rasclose - Geoffroy Mathieu
Wayfaring - Patrick Messina, André S. Labarthe
SKKS - Gilles Pourtier
interférence - 2 - maycec
Les ratons laveurs - Sophie Couderc
Avec ce qu'il resterait à dire - Anne Maurel
Marginalia - Clément Laigle
Pénurie - Zivo, Jérôme Meizoz
Imagos - Noémie Lothe
Assembly - Sam Porritt
Eros negro n°3 - Démoniak
La construction - Perrine Le Querrec
Aurore Colbert - Marie Mons
本の本の本 - antoine lefebvre editions,
A l'origine - Anne-Émilie-Philippe
Entretiens – Jérôme Dupeyrat
Titanic Orchestra - Julien Mauve
Flower finds - Orianne Jeanselme
moj’am al arabeia - Farah Khelil & antoine lefebvre editions
Critique d'art n°56
Saint Julien l'hospitalier Tome 3 - Claire Pedot
Le déclin du professeur de tennis - Fabienne Radi
Eros Negro # 1 - Demoniak
Optical Sound 2
š! #39 'The End' - coll.
fig. #6 - antithèse
Dear Paul - Paul Van der Eerden
La traversée - Magali Brueder
Photographic Fields - Joël Van Audenhaege
Objets Minces - Collectif
Le corps travesti - Michel Journiac
Christina Forrer - Don’t Swallow Your Tongue
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi 















