« The tension implicit in any photograph is the tension between an inert, black-and-white, two-dimensional object, and an event that actually existed in the phenomenal world. A successful photograph mediates, though never completely resolves that tension.”

In 1972, as his career was beginning to take off, Lewis Baltz conducted a revealing interview, his first considered statement about photography. Never published, the interview has recently resurfaced, and is printed here for the first time. In an increasingly sardonic exchange Baltz describes the character of his practice, articulates his position within and against the world of photography, and comments on his intellectual heritage and professional ambition. A penetrating exploration of the character of his medium, Baltz’s artistry and mercurial presence are strikingly laid bare.
Baltz’s interview is fully annotated with an introductory essay by Duncan Forbes.
120 pages

Aristide n°4
Soundtrack/s - Rosaire Appel
Le blanc nez - Fouss Daniel
IMPROVISATION N. 190220 - Miki Lowe
Imagos - Noémie Lothe
Habitante 2 - Coll.
Le corps travesti - Michel Journiac
IBM – Graphic Design Guide from 1969 to 1987
Deep state - Mathieu Desjardins
Un cahier - Michel Quarez
(page 1 et 17) - Lorraine Druon
Salt Crystal - Fabio Parizzi
In The Navy - Julien Kedryna
Titanic Orchestra - Julien Mauve
Temps d'arrêt - Etienne Buyse
Aurore Colbert - Marie Mons
The Shelf - Journal 3
Prose postérieure - Les commissaires anonymes
Économies silencieuses et audaces approximatives - Guy Chevalier [& coll.] 













