« The tension implicit in any photograph is the tension between an inert, black-and-white, two-dimensional object, and an event that actually existed in the phenomenal world. A successful photograph mediates, though never completely resolves that tension.”

In 1972, as his career was beginning to take off, Lewis Baltz conducted a revealing interview, his first considered statement about photography. Never published, the interview has recently resurfaced, and is printed here for the first time. In an increasingly sardonic exchange Baltz describes the character of his practice, articulates his position within and against the world of photography, and comments on his intellectual heritage and professional ambition. A penetrating exploration of the character of his medium, Baltz’s artistry and mercurial presence are strikingly laid bare.
Baltz’s interview is fully annotated with an introductory essay by Duncan Forbes.
120 pages

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Saint Julien l'hospitalier Tome 3 - Claire Pedot
Musée des Beaux-Arts - Pierre Martel
Je ne peux pas ne pas - Geneviève Romang
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Dear Paul - Paul Van der Eerden
Photographic Fields - Joël Van Audenhaege
Watch out - Anne-Émilie-Philippe
L'amour/Mon ange - Brûle et / Demange - Samoth Trauberchel
Un essai sur la typographie - Eric Gill
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Planning - Pierre Escot
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Aurore Colbert - Marie Mons
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La tour Tatline - Georgi Stanishev
Délié - Baptiste Oberson
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