« The tension implicit in any photograph is the tension between an inert, black-and-white, two-dimensional object, and an event that actually existed in the phenomenal world. A successful photograph mediates, though never completely resolves that tension.”

In 1972, as his career was beginning to take off, Lewis Baltz conducted a revealing interview, his first considered statement about photography. Never published, the interview has recently resurfaced, and is printed here for the first time. In an increasingly sardonic exchange Baltz describes the character of his practice, articulates his position within and against the world of photography, and comments on his intellectual heritage and professional ambition. A penetrating exploration of the character of his medium, Baltz’s artistry and mercurial presence are strikingly laid bare.
Baltz’s interview is fully annotated with an introductory essay by Duncan Forbes.
120 pages

Holy etc. - Fabienne Radi
Tomber dans l'escalier - Jasper Sebastian Stürup
Amos Gitai et l'enjeu des archives - Jean-Michel Frodon
Délié - Baptiste Oberson
Optical Sound 2
Économies silencieuses et audaces approximatives - Guy Chevalier [& coll.]
Pénurie - Zivo, Jérôme Meizoz
Le corps travesti - Michel Journiac
Un essai sur la typographie - Eric Gill
It was a good day - Jeremy Le Corvaisier
Grilles - Zelda Mauger
Roven n°5
La construction - Perrine Le Querrec
Imagos - Noémie Lothe
Le chateau enchanté - Atelier Mclane
Darkest Night - Joel Van Audenhaege
In The Navy - Julien Kedryna
Oblikvaj 4 - Last minute Shodo - Thomas Perrodin, Ensemble Batida 













