« The tension implicit in any photograph is the tension between an inert, black-and-white, two-dimensional object, and an event that actually existed in the phenomenal world. A successful photograph mediates, though never completely resolves that tension.”

In 1972, as his career was beginning to take off, Lewis Baltz conducted a revealing interview, his first considered statement about photography. Never published, the interview has recently resurfaced, and is printed here for the first time. In an increasingly sardonic exchange Baltz describes the character of his practice, articulates his position within and against the world of photography, and comments on his intellectual heritage and professional ambition. A penetrating exploration of the character of his medium, Baltz’s artistry and mercurial presence are strikingly laid bare.
Baltz’s interview is fully annotated with an introductory essay by Duncan Forbes.
120 pages

Dans la Lune - Fanette Mellier
Harry Thaler's Pressed Chair
Prose postérieure - Les commissaires anonymes
9 octobre 1977 - Roberto Varlez
L'inventaire des destructions - Éric Watier
Oblikvaj 2 - L'amour à la maison - Yannis La Macchia, Ensemble Battida
Keywording (Post) Contemporary Art - Greta Rusttt
People in a faraday cage - Stéphanie Gygax
La construction - Perrine Le Querrec
Anderlecht — Molenbeek - Pierre Blondel
Le blanc nez - Fouss Daniel
Économies silencieuses et audaces approximatives - Guy Chevalier [& coll.]
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Après la révolution – numéro 1
Le singe et le bijoux - Roxane Lumeret
fig. #6 - antithèse
Le voyeur - entretiens - Éric Rondepierre - Julien Milly
akaBB - tribute to Roni horn
Assembly - Sam Porritt
Strates & Archipels - Pierre Merle
Oblikvaj 5 - Vingt-deux plongées profondes - Aude Barrio, Ensemble Batida 













