« The tension implicit in any photograph is the tension between an inert, black-and-white, two-dimensional object, and an event that actually existed in the phenomenal world. A successful photograph mediates, though never completely resolves that tension.”

In 1972, as his career was beginning to take off, Lewis Baltz conducted a revealing interview, his first considered statement about photography. Never published, the interview has recently resurfaced, and is printed here for the first time. In an increasingly sardonic exchange Baltz describes the character of his practice, articulates his position within and against the world of photography, and comments on his intellectual heritage and professional ambition. A penetrating exploration of the character of his medium, Baltz’s artistry and mercurial presence are strikingly laid bare.
Baltz’s interview is fully annotated with an introductory essay by Duncan Forbes.
120 pages

Critique d'art n°54
La construction - Perrine Le Querrec
Der Erste Rotkehlchen - Le livre
Zoom Age - Julien Auregan
Anarchitecte - Olivier Verdique alias Alvar Le Corvanderpius
A l'origine - Anne-Émilie-Philippe
La peinture c'est comme les pépites - Pierre Yves-Hélou + Tirage
A Home with no Roof - Sara De Brito Faustino
Illusive prosody - Alex Beaurain
Shanghai Cosmetic - Leslie Moquin
Aristide n°4
Délié - Baptiste Oberson
Architecture-Belvédère - Lou-Andréa Lassalle & Bérénice Béguerie
Design sous artifice : la création au risque du machine learning - Anthony Masure
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Deep state - Mathieu Desjardins
Intérieurs - Claude-Hubert Tatot
Le museau de mes amies m’amuse - Jehane Mahmoud
Bambi # 4 - Collectif
Le vieux père - Laurent Kropf
Tanière de lune - Maria-Mercé Marçal
Brush Master - Jasper "Mississippi" Travis
Ventoline 6 - Coll 













