« The tension implicit in any photograph is the tension between an inert, black-and-white, two-dimensional object, and an event that actually existed in the phenomenal world. A successful photograph mediates, though never completely resolves that tension.”

In 1972, as his career was beginning to take off, Lewis Baltz conducted a revealing interview, his first considered statement about photography. Never published, the interview has recently resurfaced, and is printed here for the first time. In an increasingly sardonic exchange Baltz describes the character of his practice, articulates his position within and against the world of photography, and comments on his intellectual heritage and professional ambition. A penetrating exploration of the character of his medium, Baltz’s artistry and mercurial presence are strikingly laid bare.
Baltz’s interview is fully annotated with an introductory essay by Duncan Forbes.
120 pages

Économies silencieuses et audaces approximatives - Guy Chevalier [& coll.]
[piʃaˈsɐ̃w̃] - antoine lefebvre editions,
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Le voyeur - entretiens - Éric Rondepierre - Julien Milly
Le singe et le bijoux - Roxane Lumeret
12345678 - Maya Strobbe
10 MINUTES Architects and Designers in Conversation
La peinture c'est comme les pépites - Pierre Yves-Hélou + Tirage
A Journal of Militant Sound Inquiry – Vol. 1 – Naming the Moment - Ultra-red
Titanic Orchestra - Julien Mauve
Slanted 24 - Istanbul
La traversée - Magali Brueder
Sex I - Kingué Camille
CURIOSITY — David Lynch
Architecture-Belvédère - Lou-Andréa Lassalle & Bérénice Béguerie
Capolavori - Livio Vacchini
It was a good day - Jeremy Le Corvaisier
Espaces intermédiaires - Éliane Radigue et Julia Eckhardt 













