In fields that produce carefully authored compositions, such as architecture, the chance arrangements of material grain, patinas, or other traces of matter’s resistance to orderly control are sometimes allowed an expression in the final work. In these instances they are viewed as desirable features, or evidence of a work’s architectonic authenticity. Moreover, the effects of weathering, natural forces, or structural deformation over time are often seen as informal enhancements to the rigidity of precise compositions. The outcome of a visual studies seminar by architect Andrew Zago, this volume gathers photographic evidence of myriad instances of material happenstance, also called accidents.

528 p, ills colour & bw, 14 x 20 cm, pb, English

It was a good day - Jeremy Le Corvaisier
Imagos - Noémie Lothe
Future Book(s) Sharing Ideas on Books and (Art) Publishing - dir. Pia Pol, Astrid Vorstermans
moj’am al arabeia - Farah Khelil & antoine lefebvre editions
Jérôme LeGlatin (avec Mel Crawford) - Le Crash
Roven n°5
akaBB - tribute to Roni horn
Inframince et hyperlié - Philippe Lipcare
movement in squares - Stefanie Leinhos
Aube - Caroline Bachmann
Tchat - Gary Colin
Amos Gitai et l'enjeu des archives - Jean-Michel Frodon
Sillo n°3 - Le Fauve
Planète B - Gwenola Wagon
Fluent - Laëticia Donval
Rue Englelab, La révolution par les livres - Iran 1979 - 1983 - Hannah Darabi
Escape - Makiko Minowa
Le lacéré anonyme - Jacques Villeglé
Flynn zine # 1 - Flynn Maria Bergmann
Untitled (Comic Book) - Frédérique Rusch
Holy Mountain - Maia Matches, Knuckles & Notch
Prélude - Julien Gobled
love forever - Victoria Hespel
Titanic Orchestra - Julien Mauve
Polyphème (d'après Euripide) - J. & E. LeGlatin
Rasclose - Geoffroy Mathieu
Gros Gris n°4 - Duel 















