In fields that produce carefully authored compositions, such as architecture, the chance arrangements of material grain, patinas, or other traces of matter’s resistance to orderly control are sometimes allowed an expression in the final work. In these instances they are viewed as desirable features, or evidence of a work’s architectonic authenticity. Moreover, the effects of weathering, natural forces, or structural deformation over time are often seen as informal enhancements to the rigidity of precise compositions. The outcome of a visual studies seminar by architect Andrew Zago, this volume gathers photographic evidence of myriad instances of material happenstance, also called accidents.

528 p, ills colour & bw, 14 x 20 cm, pb, English

Good Company - Paul Van der Eerden
Working men have no country - Coll.
Betty Tompkins - Raw Material
Birds - Damien Poulain
In The Navy - Julien Kedryna
Wayfaring - Patrick Messina, André S. Labarthe
Lavalse des tambours - Paul Rey
Talweg 6 - La distance
Plant-Based Monster Trucks - Lina Müller, Luca Schenardi
Tupera Tupera Postcard Book
Dédale - Laurent Chardon
Rue Englelab, La révolution par les livres - Iran 1979 - 1983 - Hannah Darabi
La peinture c'est comme les pépites - Pierre Yves-Hélou + Tirage
Dernier royaume - Quentin Derouet
BIC011 Montes - Braulio Amado
She is warm - Iringo Demeter
L'inventaire des destructions - Éric Watier
Bambi # 4 - Collectif
On-off Tones - Anna Bergquist
L'internationale modique (AND 3) - J-M. Bertoyas
Roven n°5
Tableaux fluo - 2013-2016 - Nina Childress
Diario de Plantas (2 volumes) - Gabriel Orozco
Who Are You Dorothy Dean? - Edited by / Edité par Anaïs Ngbanzo.
Poster Photo Magazine n°1
Autoportrait - Carla Lonzi
Dictionary - Claude Closky
Papier magazine n°06 - Coupe du monde
Le corps travesti - Michel Journiac 















