In fields that produce carefully authored compositions, such as architecture, the chance arrangements of material grain, patinas, or other traces of matter’s resistance to orderly control are sometimes allowed an expression in the final work. In these instances they are viewed as desirable features, or evidence of a work’s architectonic authenticity. Moreover, the effects of weathering, natural forces, or structural deformation over time are often seen as informal enhancements to the rigidity of precise compositions. The outcome of a visual studies seminar by architect Andrew Zago, this volume gathers photographic evidence of myriad instances of material happenstance, also called accidents.

528 p, ills colour & bw, 14 x 20 cm, pb, English

Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Goodbye - Hsia-Fei Chang, Sofia Eliza Bouratsis, Medhi Brit, Enrico Lunghi
Après la révolution – Hors-série – JO Paris 2024. Carnets de luttes
Aristide n°4
America - Ayline Olukman, Hélène Gaudy
Keywording (Post) Contemporary Art - Greta Rusttt
Prototype 02 - morcellement
Économies silencieuses et audaces approximatives - Guy Chevalier [& coll.]
Retour d'y voir - n° 1 & 2 - Mamco
Un essai sur la typographie - Eric Gill
In The Navy - Julien Kedryna
La construction - Perrine Le Querrec
Une généalogie des grandes oreilles - Lauren Tortil
Cruiser l'utopie – L'après et ailleurs de l'advenir queer - José Esteban Muñoz
Pluie - Coll. - Lagon revue
Dédale - Laurent Chardon
Una Silla Plegada ( A Folded Chair) - José Quintanar
People in a faraday cage - Stéphanie Gygax
Der Erste Rotkehlchen - Le livre
Slanted 30 - Athens
Imagos - Noémie Lothe 















