In fields that produce carefully authored compositions, such as architecture, the chance arrangements of material grain, patinas, or other traces of matter’s resistance to orderly control are sometimes allowed an expression in the final work. In these instances they are viewed as desirable features, or evidence of a work’s architectonic authenticity. Moreover, the effects of weathering, natural forces, or structural deformation over time are often seen as informal enhancements to the rigidity of precise compositions. The outcome of a visual studies seminar by architect Andrew Zago, this volume gathers photographic evidence of myriad instances of material happenstance, also called accidents.

528 p, ills colour & bw, 14 x 20 cm, pb, English

Eldorado maximum - Les commissaires anonymes
Victor Papanek - Design pour un monde réel
Sakae Osugi – Anarchiste japonais – Ville de St-Denis 1923 - Katja Stuke, Oliver Sieber
ICCMHW - Atelier Choque Le Goff
Le Dépli - Loïc Largier
Gros Gris n°4 - Duel
Illusive prosody - Alex Beaurain
La prise - Florian Javet
Perturbations - Rosaire Appel
The Shelf - Journal 3
Mökki n°2
Keywording (Post) Contemporary Art - Greta Rusttt
Titanic Orchestra - Julien Mauve
To Be Determined: Photography and the Future - Duncan Wooldridge
Notre condition. Essai sur le salaire au travail artistique – Aurélien Catin
Cuadernos - Henry Deletra
Feminae Explorarum - Ingrīda Pičukān
Après la révolution – numéro 1
Science of the secondary #11 - Banana
Ice & Cream - Florence Grivel, Julien Burri
Laura Mulvay - Fetichisme et curiosité
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Turbo Decompress - Coll.
Editer l’art – Leszek Brogowski
Marcel Proust en cinq minutes — Jackson B. Smith
Wayfaring - Patrick Messina, André S. Labarthe
Screen Printing Basics - ottoGraphics
Saint Julien l'hospitalier Tome 2 - Claire Pedot
Home Cinema - Sarah-Louise Barbett
Piano - Joseph Charroy
Shanghai Cosmetic - Leslie Moquin 















