In fields that produce carefully authored compositions, such as architecture, the chance arrangements of material grain, patinas, or other traces of matter’s resistance to orderly control are sometimes allowed an expression in the final work. In these instances they are viewed as desirable features, or evidence of a work’s architectonic authenticity. Moreover, the effects of weathering, natural forces, or structural deformation over time are often seen as informal enhancements to the rigidity of precise compositions. The outcome of a visual studies seminar by architect Andrew Zago, this volume gathers photographic evidence of myriad instances of material happenstance, also called accidents.

528 p, ills colour & bw, 14 x 20 cm, pb, English

It was a good day - Jeremy Le Corvaisier
genital or genius - Paul
The white bird - Harrison Miller
Aurore Colbert - Marie Mons
A Journal of Militant Sound Inquiry – Vol. 1 – Naming the Moment - Ultra-red
Plaisir Solide - Hélène Bellenger & Charlotte Perrin
Mission Control - Emir Karyo & Jan Wojda
Titties - Nour Hifaoui
interférence - 3 - maycec
Il était deux fois - Gary Colin
Le corps travesti - Michel Journiac
Boundary - Nigel Peake
akaBB - tribute to Roni horn
moj’am al arabeia - Farah Khelil & antoine lefebvre editions
Ce qu'est ce que - Gabriel Hibert
movement in squares - Stefanie Leinhos
Kriss Kross 2019 - Genêt Mayor
Optical Sound 3
Imagos - Noémie Lothe
Strates & Archipels - Pierre Merle
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Livre d'un Révélation - Chloé Ravenel
Rue Englelab, La révolution par les livres - Iran 1979 - 1983 - Hannah Darabi
Amos Gitai et l'enjeu des archives - Jean-Michel Frodon
Soundtrack/s - Rosaire Appel
Mosaïque d'asphalte - Jack Torrance
Matriochka - Fanette Mellier (3ème ed.)
Before Science - Gilles Pourtier, Anne-Claire Broc'h
Pectus Excavatum - Quentin Yvelin 















