In fields that produce carefully authored compositions, such as architecture, the chance arrangements of material grain, patinas, or other traces of matter’s resistance to orderly control are sometimes allowed an expression in the final work. In these instances they are viewed as desirable features, or evidence of a work’s architectonic authenticity. Moreover, the effects of weathering, natural forces, or structural deformation over time are often seen as informal enhancements to the rigidity of precise compositions. The outcome of a visual studies seminar by architect Andrew Zago, this volume gathers photographic evidence of myriad instances of material happenstance, also called accidents.

528 p, ills colour & bw, 14 x 20 cm, pb, English

America - Ayline Olukman, Hélène Gaudy
Le corps travesti - Michel Journiac
Salt Crystal - Fabio Parizzi
Talk Soon - Erik Kessels & Thomas Sauvin
Je ne peux pas ne pas - Geneviève Romang
Fournitures - Julien Gobled
The Shelf - Journal 3
Retour d'y voir - n° 3 & 4 - Mamco
Économies silencieuses et audaces approximatives - Guy Chevalier [& coll.]
La prise - Florian Javet
Entretiens – Jérôme Dupeyrat
Turlupin N°1 \ Soumission — Michael Dans
In the presence of being absent... Arrgh. - Stéphanie Leinhos
Guerre - Marion Jdanoff (nouvelle éditions)
Photographic Fields - Joël Van Audenhaege 















