In fields that produce carefully authored compositions, such as architecture, the chance arrangements of material grain, patinas, or other traces of matter’s resistance to orderly control are sometimes allowed an expression in the final work. In these instances they are viewed as desirable features, or evidence of a work’s architectonic authenticity. Moreover, the effects of weathering, natural forces, or structural deformation over time are often seen as informal enhancements to the rigidity of precise compositions. The outcome of a visual studies seminar by architect Andrew Zago, this volume gathers photographic evidence of myriad instances of material happenstance, also called accidents.

528 p, ills colour & bw, 14 x 20 cm, pb, English

Aurore Colbert - Marie Mons
Super Kiblind 3
La Bibliothèque grise - Jérôme Dupeyrat & Laurent Sfar
Dernier royaume - Quentin Derouet
Le vieux père - Laurent Kropf
Mökki n°2
Photographic Fields - Joël Van Audenhaege
interférence - 2 - maycec
Aristide n°4
The Shelf - Journal 3
Un peu comme voir dans la nuit - Leif Elggren + CD
Shanghai Cosmetic - Leslie Moquin
Der Erste Rotkehlchen - Le livre
Deep state - Mathieu Desjardins
Lucky Me - Eva Rotreklová & Jules Janssen
Une goutte d'homme - Alice Dourlen
Sights - Henry McCausland
Prose postérieure - Les commissaires anonymes
Halogénure #04
Pectus Excavatum - Quentin Yvelin
Le blanc nez - Fouss Daniel 















