Temporary Services booklet #116 returns to our fixation on Public Phenomena, this time with a focus on abandoned signs from the Midwest (mostly Chicago, and Fort Wayne and Auburn, Indiana). Over 50 photos fill this full color booklet. Thanks to the group Fictilis and their Museum of Capitalism project and exhibition for commissioning this publication.

From the back cover:
In many urban centers, we have more disused storefronts and retail architecture than can easily be filled with new businesses. Some of these spaces sit empty for years. There is a gaping disparity between the daily rhetoric of a capitalist society, and an honest assessment of the waste, repetition, redundancy, and inefficiencies of so much activity done in the name of business, productivity, and entrepreneurial freedom. Abandoned Signs are potent reminders of how much energy we put into things we don’t need that are irrevocably shifting the ecology of our planet. The photographs in this publication were taken by Temporary Services (Brett Bloom and Marc Fischer) between 2015 and 2017. The signs are primarily from Indiana (Fort Wayne and Auburn) and Chicago. We have been documenting material like this under the heading Public Phenomena, as a constant mode of visual research since we began working together in 1998.
Pages: 32
Dimensions: 5 1/2″ x 8 1/2″
Cover: soft cover
Binding: staple bound
Process: full color offset
Color: full color

À partir de n°1 - Coll.
Fluent - Laëticia Donval
Talweg 6 - La distance
Les soleils qui tournent ont des oreilles - coll.
Le Choix du peuple - Nicolas Savary, Tilo Steireif
Lavalse des tambours - Paul Rey
In The Navy - Julien Kedryna
Comic Book (Untitled) - Stéphanie Leinhos
Recto Versu - Bill Noir
Le dernier homme - Johann Rivat
Radio-Art - Tetsuo Kogawa
Roven n°4
Holy Mountain - Maia Matches, Knuckles & Notch
Before Science - Gilles Pourtier, Anne-Claire Broc'h
Eldorado maximum - Les commissaires anonymes
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
Aristide n°4
Titanic Orchestra - Julien Mauve
America - Ayline Olukman, Hélène Gaudy
Critique & création - L.L. de Mars
Je ne peux pas ne pas - Geneviève Romang
Editer l’art – Leszek Brogowski
An artist - Malena Pizani
Dear Paul - Paul Van der Eerden
Génération dakou - Yann Jun + CD
Lazy Painter - Angela Gjergjaj, Jordi Bucher and Mirco Petrini
Retour d'y voir - n° 3 & 4 - Mamco
Alma Mater n°1
De tels baisers - Jul Gordon
Jean-Marc Bodson - États des lieux
Mökki n°2
Slanted 24 - Istanbul
Shanghai Cosmetic - Leslie Moquin
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
Pureté et impureté de l’art. Michel Journiac et le sida Antoine Idier
Konrad Becker - Dictionnaire de réalité stratégique
52 vendredis — Léonore Emond, Damien Duparc, Yaïr Barelli et Charlotte York
Eros negro n°3 - Démoniak
ARTZINES #1, Paris issue
Sans titre - Chris Kiss
Revue Les Saisons n°3
Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri
Wayfaring - Patrick Messina, André S. Labarthe
Dernier royaume - Quentin Derouet
Un essai sur la typographie - Eric Gill
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Illusive prosody - Alex Beaurain
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Eros negro n°4 - Démoniak
Polyphème (d'après Euripide) - J. & E. LeGlatin
Gros Gris n°4 - Duel
Darkest Night - Joel Van Audenhaege
Tchat - Gary Colin
Der Erste Rotkehlchen - Le livre
Teddy et le Grand Terrible - Orian Mariat.
La traversée - Magali Brueder
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon 











