Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Les soleils qui tournent ont des oreilles - coll.
Humoral Fortuities - Francesco Albano’s
Prose postérieure - Les commissaires anonymes
ARTZINES #1, Paris issue
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
Critique & création - L.L. de Mars
Flower finds - Orianne Jeanselme
Followers - Agnès Wyler
Soleil, eau, vent : vers l'autonomie énergétique - Delphine Bauer
Artzines #12 Provo Special
Papier magazine n°06 - Coupe du monde
L’île de Reil - Karine Portal
LSD n° 03 – A DIY Issue
Good Company - Paul Van der Eerden
LSD n° 04 – A manga issue
interférence - 3 - maycec
Poèmes - Yvonne Rainer
Illusive prosody - Alex Beaurain
Entretiens – Jérôme Dupeyrat
Détours - Vincent Chappuis
Bambi # 4 - Collectif 







