Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

ADBC du Dessin - Jacques Floret
Avec ce qu'il resterait à dire - Anne Maurel
Inframince et hyperlié - Philippe Lipcare
Strates - Else Bedoux
MegaOctet Verbateam
Je ne peux pas ne pas - Geneviève Romang
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
L'œuvre des matières - Ivry Serres
Mökki n°4
Eldorado maximum - Les commissaires anonymes
Critique d'art n°54
Papier magazine n°06 - Coupe du monde
ARTZINES #1, Paris issue
Keywording (Post) Contemporary Art - Greta Rusttt
Dans la Lune - Fanette Mellier
Inventer l'école, penser la co-création - Marie Preston
Délié - Baptiste Oberson
Cuadernos - Henry Deletra
Holy Mountain - Maia Matches, Knuckles & Notch
La traversée - Magali Brueder
Bambi # 4 - Collectif 







