Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Dessins pour Rugir - Virginie Rochetti
Pénurie - Zivo, Jérôme Meizoz
Économies silencieuses et audaces approximatives - Guy Chevalier [& coll.]
Le blanc nez - Fouss Daniel
Illusive prosody - Alex Beaurain
Sillo n°3 - Le Fauve
AMONG THE TREES - LIVIA DE MAGISTRIS
Spectres n°4 - Mille voix
De l'objet (comme un parcours) - Collectif, Sandra Chamaret
Aurore Colbert - Marie Mons
Optical Sound 3
Critique d'art n°55
Radio-Art - Tetsuo Kogawa
Gros Gris n°4 - Duel
Bambi # 4 - Collectif
Editer l’art – Leszek Brogowski
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Peniche Galactique - ottoGraphic (french ed)
[piʃaˈsɐ̃w̃] - antoine lefebvre editions,
Good Company - Paul Van der Eerden
Umami - Ariane Vonmoos
the Ghost of Weaving - Coll.
Le chateau enchanté - Atelier Mclane
UPO 2 - J'aimerai être là - Xenia Naselou
replis de l’anthélix - Rachel Sassi
Mökki n°2
Aristide n°4
Il est si difficile de trouver le commencement - Helen Thorington
Hmm ! - C. de Trogoff
Pectus Excavatum - Quentin Yvelin
Bacon le Cannibale - Perrine Le Querrec
twen [1959–1971]
Cuadernos - Henry Deletra 







