Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

America - Ayline Olukman, Hélène Gaudy
Le chateau enchanté - Atelier Mclane
Grilles - Zelda Mauger
Karbone Magazine n°8 - Parasite
Wayfaring - Patrick Messina, André S. Labarthe
Strates & Archipels - Pierre Merle
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Papier magazine n°06 - Coupe du monde
twen [1959–1971]
Aurore Colbert - Marie Mons
Dernier royaume - Quentin Derouet
Revue La Ronde n°14
It was a good day - Jeremy Le Corvaisier
Délié - Baptiste Oberson
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
Critique d'art n°55
Aristide n°4
Optical Sound 3
Télégraphes de l'Utopie – L'art des avant-gardes en Europe Centrale 1918-1939 - Sonia de Puineuf
Étrangement seuls - Jean-Pascal Princiaux
Vers Vermersch - Thomas Dunoyer de Segonzac
Sans titre - Chris Kiss 







