Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Darkest Night - Joel Van Audenhaege
Super Kiblind 3
Pour voir, Emscher Park - Gaëtane Lamarche-Vadel
Incipit - Aymeric Vergnon
Soleil, eau, vent : vers l'autonomie énergétique - Delphine Bauer
Inframince et hyperlié - Philippe Lipcare
Sans titre - Benjamin Hartmann
Email Diamant - Fabienne Radi
Dans la matrice : le design radical de Ken Isaacs - Susan Snodgrass
LSD n° 04 – A manga issue
16 x 421 - Lorraine Druon
Konrad Becker - Dictionnaire de réalité stratégique
Tomber dans l'escalier - Jasper Sebastian Stürup
Good Company - Paul Van der Eerden
Seoul Flowers & Trees - tribute to Lee Friedlander
Sans titre - Chris Kiss 







