Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Gros Gris n°4 - Duel
Piano - Joseph Charroy
Le dos des choses - Guillaume Goutal
Saint Julien l'hospitalier Tome 1 - Claire Pedot
Titanic Orchestra - Julien Mauve
IBM – Graphic Design Guide from 1969 to 1987
Lazy Painter - Angela Gjergjaj, Jordi Bucher and Mirco Petrini
Slanted 24 - Istanbul
Je ne peux pas ne pas - Geneviève Romang
Avec ce qu'il resterait à dire - Anne Maurel
Lavalse des tambours - Paul Rey
Tchat - Gary Colin
Dear Paul - Paul Van der Eerden
Shanghai Cosmetic - Leslie Moquin
Le vieux père - Laurent Kropf
Mission Control - Emir Karyo & Jan Wojda
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Le singe et le bijoux - Roxane Lumeret
Polyphème (d'après Euripide) - J. & E. LeGlatin
Dédale - Laurent Chardon
Sans titre - Chris Kiss
Strates & Archipels - Pierre Merle
Habitante 2 - Coll.
We want to look up at the Sun, but could the Sun be looking down on us? - Rudy Guedj & Olivier Goethals
Rasclose - Geoffroy Mathieu
Aube - Caroline Bachmann
In the presence of being absent... Arrgh. - Stéphanie Leinhos 







