Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Cruiser l'utopie – L'après et ailleurs de l'advenir queer - José Esteban Muñoz
Der Erste Rotkehlchen - Le livre
Trous gris - Michel Vachey
twen [1959–1971]
The Shelf - Journal 3
Aristide n°4
Seoul Flowers & Trees - tribute to Lee Friedlander
La grande surface de réparation - Gilles Pourtier
Anarchitecte - Olivier Verdique alias Alvar Le Corvanderpius
Una Silla Plegada ( A Folded Chair) - José Quintanar
Autodrône - Divine Vizion
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Le chateau enchanté - Atelier Mclane
Amos Gitai et l'enjeu des archives - Jean-Michel Frodon
Le corps travesti - Michel Journiac
Artzines # 10 - Show & Tell #2 NY Special
Feminist Art Activisms and Artivisms - Katy Deepwell (ed.)
Teddy et le Grand Terrible - Orian Mariat.
Inframince et hyperlié - Philippe Lipcare
movement in squares - Stefanie Leinhos
Mökki n°2
Rois de la forêt - Alain Garlan
The Book Fight - Chihoi
Collective of sights
De tels baisers - Jul Gordon
Burning Images, A History of Effigy Protests - Florian Göttke
il y avait une ville - Laeticia L'Heureux
Un cahier - Michel Quarez
Photographic Fields - Joël Van Audenhaege
Sans titre - Chris Kiss 







