Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Village - Julie Safirstein
Saint Julien l'hospitalier Tome 1 - Claire Pedot
La nuit, tu mens - Ambre Husson
La Romantica
Prélude - Julien Gobled
Green (or moles on a golf course) - Aslak Gurholt
MegaOctet Verbateam
Dix éditeurs de livres d'artistes par eux-mêmes (1960-1980) (2 volumes) - Anne Mœglin-Delcroix
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
François Morellet - 5 x 3 - François Morellet, Serge Lemoine, Frédéric Valabrègue
Dear Paul - Paul Van der Eerden
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Assembly - Sam Porritt
Imagos - Noémie Lothe
SKKS - Gilles Pourtier
Typologie – La tente de camping
Du Fennec au Sahara - Guillaume Pinard
A R N O R D I R - FLorian Marciourt
moj’am al arabeia - Farah Khelil & antoine lefebvre editions
Sans titre - Benjamin Hartmann 







