Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Sillo n°3 - Le Fauve
Paysageur n°3 - Mobiles
Le Choix du peuple - Nicolas Savary, Tilo Steireif
Atopoz - Collectif
Anthologie Douteuses (2010—2020) - Élodie Petit & Marguerin Le Louvier
Les Grands Ensembles - Léo Guy-Denarcy
Illusive prosody - Alex Beaurain
Manifeste d'intérieurs ; penser dans les médias élargis - Javier Fernández Contreras
MegaOctet Verbateam
Black Case Volume I and II: Return From Exile - Joseph Jarman
Prendre l’image, Le graphisme comme situation politique - Olivier Huz
Fluent - Laëticia Donval
movement in squares - Stefanie Leinhos
La mémoire en acte - Quarente ans de création musicale
Image Canoë - Jérémie Gindre
Saint Julien l'hospitalier Tome 2 - Claire Pedot
Watch out - Anne-Émilie-Philippe
Il est si difficile de trouver le commencement - Helen Thorington
Burning Images, A History of Effigy Protests - Florian Göttke
Rois de la forêt - Alain Garlan
Bambi # 4 - Collectif
Sans titre - Benjamin Hartmann 







