Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Off the Grid - Anna Niklova
Amos Gitai et l'enjeu des archives - Jean-Michel Frodon
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
D’l’or - Rosanna Puyol Boralevi
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
Manifeste d'intérieurs ; penser dans les médias élargis - Javier Fernández Contreras
Le Choix du peuple - Nicolas Savary, Tilo Steireif
Anderlecht — Molenbeek - Pierre Blondel
Imagos - Noémie Lothe
Le dos des choses - Guillaume Goutal
Le style anthropocène - Philippe Rahm
It was a good day - Jeremy Le Corvaisier
Artzines # 10 - Show & Tell #2 NY Special
Klima Pages #2 — Somptueuses Résidences
Der Erste Rotkehlchen - Le livre
Feminist Art Activisms and Artivisms - Katy Deepwell (ed.)
Confetti - Gary Colin
Sur la route - sabiche aka Soyer Sabrina
akaBB - tribute to Roni horn
Burning Images, A History of Effigy Protests - Florian Göttke
Zoom Age - Julien Auregan
Le Gabion - Théo Robine-Langlois
Sans titre - Benjamin Hartmann 







