Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Le dernier homme - Johann Rivat
Oblikvaj 2 - L'amour à la maison - Yannis La Macchia, Ensemble Battida
Critique d'art n°56
Le lacéré anonyme - Jacques Villeglé
Sights - Henry McCausland
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Holy etc. - Fabienne Radi
Prose postérieure - Les commissaires anonymes
La Grande révolution - Une histoire de l'architecture féministe - Dolores Hayden
Piano - Joseph Charroy
Optical Sound 3
УYY - Yelena Yemchuk
Le dos des choses - Guillaume Goutal
Vacuité 9090 - Jérémy Piningre
Good Company - Paul Van der Eerden
La traversée - Magali Brueder
akaBB - tribute to Roni horn
Anthologie Douteuses (2010—2020) - Élodie Petit & Marguerin Le Louvier
16 x 421 - Lorraine Druon
Seoul Flowers & Trees - tribute to Lee Friedlander
Catalogue Art Guys - That's painting productions, Bernard Brunon
Idoine & Antonin Giroud-Delorme
Revue La Ronde n°14
The life of Ruben - Bernardo Sousa Santos 







