Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Le seuil - Quentin Yvelin
Vanishing Workflows - Xavier Antin
Hmm ! - C. de Trogoff
LSD n° 03 – A DIY Issue
Tomber dans l'escalier - Jasper Sebastian Stürup
Au chevet des milieux : L'émancipation par l'outil manuel - Yetecha Negga
Alma Mater n°1
Aube - Caroline Bachmann
In The Navy - Julien Kedryna
16 x 421 - Lorraine Druon
Fournitures - Julien Gobled
Le chateau enchanté - Atelier Mclane
Mökki n°2
The life of Ruben - Bernardo Sousa Santos 







