Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Poèmes - Yvonne Rainer
Gros Gris n°4 - Duel
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
Le dos des choses - Guillaume Goutal
Critique d'art n°55
Bienvenue à Colomeri ! - Hécate Vergopoulo,
JJ – Tartine-moi et autres textes - Jill Johnston
Barrage de Sarrans - Sandrine Marc
Saint Julien l'hospitalier Tome 3 - Claire Pedot
ADBC du Dessin - Jacques Floret
[piʃaˈsɐ̃w̃] - antoine lefebvre editions,
Ce qu'est ce que - Gabriel Hibert
L'internationale modique (AND 3) - J-M. Bertoyas
Gruppen n°14 - Collectif
L'arum tacheté de J-M. Bertoyas
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Talweg 6 - La distance
Hideous - Thomas Perrodin, Néoine Pifer
本の本の本 - antoine lefebvre editions,
Papier magazine n°06 - Coupe du monde
Gone - Pierre La Police
Dédale - Laurent Chardon
Copy This Book - Eric Schrijver
The life of Ruben - Bernardo Sousa Santos 







