Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Turlupin N°1 \ Soumission — Michael Dans
Pectus Excavatum - Quentin Yvelin
Un essai sur la typographie - Eric Gill
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
Dédale - Laurent Chardon
Guten Tag - Pablo Tomek
Modern Instances, The Craft of Photography - Stephen Shore
RÉVÉSZ LÁSZLÓ LÁSZLÓ , Not Secret
La prise - Florian Javet
Email Diamant - Fabienne Radi
Femme, Arabe et... Cinéaste - Heiny Srour
Saint Julien l'hospitalier Tome 3 - Claire Pedot
Objets Minces - Collectif
Radio-Art - Tetsuo Kogawa
Augure - Rodrigue de Ferluc
Stéréo couleurs - Atelier Bingo
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril 







