Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

MENU メニュー - Wataru Tominaga
Konrad Becker - Dictionnaire de réalité stratégique
Plaisir Solide - Hélène Bellenger & Charlotte Perrin
Perles & Fracas - Bill Noir
Editer l’art – Leszek Brogowski
Turbo Decompress - Coll.
Graphic Design Is (…) Not Innocent - Ingo Offermanns
9 octobre 1977 - Roberto Varlez
Objets Minces - Collectif
Bande Annonce - Cinéma & Bande Dessinée - Coll.
Soleil, eau, vent : vers l'autonomie énergétique - Delphine Bauer
Il est si difficile de trouver le commencement - Helen Thorington
Après la révolution – numéro 1
Polyphème (d'après Euripide) - J. & E. LeGlatin
Eldorado maximum - Les commissaires anonymes
Folding Space Ship - ottoGraphic
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril 







