Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Shanghai Cosmetic - Leslie Moquin
Après la révolution – Hors-série – JO Paris 2024. Carnets de luttes
Autodrône - Divine Vizion
Le singe et le bijoux - Roxane Lumeret
Temps d'arrêt - Etienne Buyse
Mökki n°4
L’intérêt à agir. Quand l’art s’inquiète du droit des étrangers et du droit d’auteur - Coll.
[piʃaˈsɐ̃w̃] - antoine lefebvre editions,
Alma Mater n°1
Pilote - Mathilde Sauzay
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril 







