Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Seoul Flowers & Trees - tribute to Lee Friedlander
Deep state - Mathieu Desjardins
Aurore Colbert - Marie Mons
Rasclose - Geoffroy Mathieu
Entretiens – Jérôme Dupeyrat
Gruppen n°13 - Collectif
Il est si difficile de trouver le commencement - Helen Thorington
Comic Book (Untitled) - Stéphanie Leinhos
Le blanc nez - Fouss Daniel
Ilya Ehrenbourg - Et pourtant elle tourne
Keywording (Post) Contemporary Art - Greta Rusttt
il y avait une ville - Laeticia L'Heureux
Prose postérieure - Les commissaires anonymes
Radio-Art - Tetsuo Kogawa
Musée des Beaux-Arts - Pierre Martel
Slanted 24 - Istanbul
Sillo n°3 - Le Fauve
Wayfaring - Patrick Messina, André S. Labarthe
Eros Negro # 1 - Demoniak
Pectus Excavatum - Quentin Yvelin
Le corps travesti - Michel Journiac
Flower finds - Orianne Jeanselme
America - Ayline Olukman, Hélène Gaudy
Parataxes + CD - Michael Gendreau
UP8 — Pour une pédagogie de l'architecture
Lazy Painter - Angela Gjergjaj, Jordi Bucher and Mirco Petrini
Der Erste Rotkehlchen - Le livre
Lili, la rozell et le marimba / revue n°2
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier 







