Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Talweg 6 - La distance
SKKS - Gilles Pourtier
Wayfaring - Patrick Messina, André S. Labarthe
Shanghai Cosmetic - Leslie Moquin
Bambi # 4 - Collectif
Gros Gris n°4 - Duel
Le corps travesti - Michel Journiac
Dear Paul - Paul Van der Eerden
Le vieux père - Laurent Kropf
Artzines #12 Provo Special
Editer l’art – Leszek Brogowski
Jérôme LeGlatin (avec Mel Crawford) - Le Crash
Imagos - Noémie Lothe
Strates & Archipels - Pierre Merle
il y avait une ville - Laeticia L'Heureux
Papier magazine n°06 - Coupe du monde
Titanic Orchestra - Julien Mauve
Critique d'art n°55
Rois de la forêt - Alain Garlan
Alma Mater n°1
La traversée - Magali Brueder
Sans titre - Benjamin Hartmann
Morph - Camilo García A.
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier 







