Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

16 x 421 - Lorraine Druon
Le Choix du peuple - Nicolas Savary, Tilo Steireif
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
La troisième oreille et autres textes + CD - Bryan Lewis Saunders
Sillo n°3 - Le Fauve
D’l’or - Rosanna Puyol Boralevi
Keywording (Post) Contemporary Art - Greta Rusttt
Shanghai Cosmetic - Leslie Moquin
Aurore Colbert - Marie Mons
interférence - 3 - maycec
Holy etc. - Fabienne Radi
Deep state - Mathieu Desjardins
Eros negro n°4 - Démoniak
Délié - Baptiste Oberson
Bambi # 4 - Collectif
Le singe et le bijoux - Roxane Lumeret
Gruppen n°14 - Collectif
Before Science - Gilles Pourtier, Anne-Claire Broc'h
Dédale - Laurent Chardon
Graphic Design Is (…) Not Innocent - Ingo Offermanns
Idoine & Nayoung Kim
ADBC du Dessin - Jacques Floret
Pectus Excavatum - Quentin Yvelin
De lave et de fer - Laurent Feynerou
Editer l’art – Leszek Brogowski 







