Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Mökki n°2
Critique & création - L.L. de Mars
Strates - Else Bedoux
Sans titre - Benjamin Hartmann
Turlupin N°1 \ Soumission — Michael Dans
L'internationale modique (AND 3) - J-M. Bertoyas
Saint Julien l'hospitalier Tome 2 - Claire Pedot
Vacuité 9090 - Jérémy Piningre
Saint Julien l'hospitalier Tome 3 - Claire Pedot
The Shelf - Journal 3
The life of Ruben - Bernardo Sousa Santos
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Yerevan 1996/1997 - Ursula Schulz-Dornburg
Pectus Excavatum - Quentin Yvelin
Entretiens – Jérôme Dupeyrat
Rocher du Ciel - Martin Desinde
Photographic Fields - Joël Van Audenhaege
She is warm - Iringo Demeter
LSD n° 04 – A manga issue
Idoine & Sissy Hankshaw
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
L'inventaire des destructions - Éric Watier
La prise - Florian Javet
Ravedeath Convention - Jan Philipzen
Aurore Colbert - Marie Mons
Norovirus - Orgie en mers chaudes - Claude Grétillat
16 x 421 - Lorraine Druon
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez 







