Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Mökki n°2
IUZZA. Goliarda Sapienza - Francesca Todde
Gros Gris n°4 - Duel
52 vendredis — Léonore Emond, Damien Duparc, Yaïr Barelli et Charlotte York
In the presence of being absent... Arrgh. - Stéphanie Leinhos
lebondieu - Claude Grétillat
Slanted 24 - Istanbul
Anderlecht — Molenbeek - Pierre Blondel
Radio-Art - Tetsuo Kogawa
Bacon le Cannibale - Perrine Le Querrec
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Strange Design - Ed. Jehanne Dautrey et Emanuele Quinz.
Papier magazine n°06 - Coupe du monde
9 octobre 1977 - Roberto Varlez
Choquer le monde à mort – Elles sont de sortie – Pascal Doury, Bruno Richard, Jonas Delaborde
Saint Julien l'hospitalier Tome 1 - Claire Pedot
Critique & création - L.L. de Mars
Echangisme et Seconde main - Fanny Laulaigne
Le dos des choses - Guillaume Goutal
Wayfaring - Patrick Messina, André S. Labarthe
L'abécédaire d'un typographe - Gerrit Noordzij; Jost Hochuli
Spécimen Typographique : No Ko - Loris Pernoux
L'eau jusqu'au nombril - Lilian Froger
Escape - Makiko Minowa
Good Company - Paul Van der Eerden
Saint Ferreol - Trente plats - Jérémy Piningre & Aëla Mäi Cabel
Aube - Caroline Bachmann
Regards croisés — Gekreutze Blicke - Yeloyolo
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez 







