Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Critique d'art n°54
Pain liquide n° 01
Der Erste Rotkehlchen - Le livre
Anthologie Douteuses (2010—2020) - Élodie Petit & Marguerin Le Louvier
Inframince et hyperlié - Philippe Lipcare
Lumières - Guillaume Chauchat
Cuadernos - Henry Deletra
Slanted 30 - Athens
Alma Mater n°1
Manifeste d'intérieurs ; penser dans les médias élargis - Javier Fernández Contreras
Holy Mountain - Maia Matches, Knuckles & Notch
A l'origine - Anne-Émilie-Philippe
Aristide n°4
Critique d'art n°55
Teddy et le Grand Terrible - Orian Mariat.
Retour d'y voir - n° 1 & 2 - Mamco
Pour voir, Emscher Park - Gaëtane Lamarche-Vadel
La grande surface de réparation - Gilles Pourtier
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez 







