Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

ARTZINES #3 - Tokyo issue
La Couleur du Geste - Héloïse Bariol
Titanic Orchestra - Julien Mauve
Zoom Age - Julien Auregan
Mökki n°4
Rasclose - Geoffroy Mathieu
Pierre et Fleur - Mélanie Corre
Good Company - Paul Van der Eerden
Lazy Painter - Angela Gjergjaj, Jordi Bucher and Mirco Petrini
akaBB - tribute to Roni horn
Guerre - Marion Jdanoff (nouvelle éditions)
Pause - Coll.
Gros Gris n°4 - Duel
Aristide n°4
Piano - Joseph Charroy
Critique d'art n°56
Soleil, eau, vent : vers l'autonomie énergétique - Delphine Bauer
Vacuité 9090 - Jérémy Piningre
Perturbations - Rosaire Appel
Aurore Colbert - Marie Mons 







