Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Photographic Fields - Joël Van Audenhaege
Sights - Henry McCausland
We want to look up at the Sun, but could the Sun be looking down on us? - Rudy Guedj & Olivier Goethals
Cruiser l'utopie – L'après et ailleurs de l'advenir queer - José Esteban Muñoz
Holy etc. - Fabienne Radi
Feminist Art Activisms and Artivisms - Katy Deepwell (ed.)
Alma Mater n°1
Critique & création - L.L. de Mars
Strange Design - Ed. Jehanne Dautrey et Emanuele Quinz.
Je ne peux pas ne pas - Geneviève Romang
La construction - Perrine Le Querrec
I Am Not I - Boris Mikhailov
A R N O R D I R - FLorian Marciourt
Autodrône - Divine Vizion
Ce qu'est ce que - Gabriel Hibert
Aristide n°4 







