Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Temps d'arrêt - Etienne Buyse
Black Case Volume I and II: Return From Exile - Joseph Jarman
Critique d'art n°54
Radio-Art - Tetsuo Kogawa
Der Erste Rotkehlchen - Le livre
movement in squares - Stefanie Leinhos
interférence - 2 - maycec
Yerevan 1996/1997 - Ursula Schulz-Dornburg
Wayfaring - Patrick Messina, André S. Labarthe
À partir de n°1 - Coll.
Aristide n°4 







