Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Rois de la forêt - Alain Garlan
Wayfaring - Patrick Messina, André S. Labarthe
La traversée - Magali Brueder
Slanted 24 - Istanbul
Titanic Orchestra - Julien Mauve
Le lacéré anonyme - Jacques Villeglé
Roven n°5
Catalogue Art Guys - That's painting productions, Bernard Brunon
Un cahier - Michel Quarez
本の本の本 - antoine lefebvre editions,
Le blanc nez - Fouss Daniel
Débris #3 - Tout e(s)t n'importe quoi !
Der Erste Rotkehlchen - Le livre
Paysageur n°3 - Mobiles
interférence - 3 - maycec
L'amour/Mon ange - Brûle et / Demange - Samoth Trauberchel
The Shelf - Journal 3
Le chateau enchanté - Atelier Mclane
Aristide n°4 







