Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Le vieux père - Laurent Kropf
Dédale - Laurent Chardon
Après la révolution – numéro 1
L'Abeille de Saint-Simon - Alice Brière-Haquet / Mai Li Bernard
Image Canoë - Jérémie Gindre
Manuel pour formes et constructions nomades - Julien Rodriguez
ARTZINES #3 - Tokyo issue
Sillo n°3 - Le Fauve
Tchat - Gary Colin
Mrioir, Mioirr - Carla Demierre
Papier magazine n°06 - Coupe du monde
Piotr - Pierre Escot, Denis Lavant
Dernier royaume - Quentin Derouet
À partir de n°1 - Coll.
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
MegaOctet Verbateam
ARTZINES #7 - Berlin issue
Lumières - Guillaume Chauchat
Black Case Volume I and II: Return From Exile - Joseph Jarman
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
UP8 — Pour une pédagogie de l'architecture
Zoom Age - Julien Auregan
Oblikvaj 4 - Last minute Shodo - Thomas Perrodin, Ensemble Batida
Illusive prosody - Alex Beaurain
Strates & Archipels - Pierre Merle
Gros Gris n°4 - Duel
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
Aristide n°4 







