Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Critique d'art n°55
Konrad Becker - Dictionnaire de réalité stratégique
Critique d'art n°54
Talweg 6 - La distance
The Shelf - Journal 3
Grilles - Zelda Mauger
Keywording (Post) Contemporary Art - Greta Rusttt
BIC011 Montes - Braulio Amado
À partir de n°1 - Coll.
Mission Control - Emir Karyo & Jan Wojda
Heads Together – Weed and the Underground Press Syndicate - David Jacob Kramer
Dear Paul - Paul Van der Eerden
Rois de la forêt - Alain Garlan
Autodrône - Divine Vizion
Aristide n°4 







