Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

UPO 1 - Earth Art - Rejane Dal Bello
Red Horse - Sasha Kurmaz
The Barefoot Promise - Pierre Leguillon
Jean-Jacques a dit - Angèle Douche
Dirty fish - Léa Abaroa
L'abécédaire d'un typographe - Gerrit Noordzij; Jost Hochuli
Goodbye - Hsia-Fei Chang, Sofia Eliza Bouratsis, Medhi Brit, Enrico Lunghi
š! #39 'The End' - coll.
Jardín de mi padre - Luis Carlos Tovar
interférence - 3 - maycec
Tchat - Gary Colin
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
How Many - Nathalie Du Pasquier
Les danseurs du Balajo - 2017-2018 - Carole Bellaïche
interférence - 2 - maycec
MASKS - Damián Ortega
America - Ayline Olukman, Hélène Gaudy
Délié - Baptiste Oberson 







