Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

akaBB - tribute to Roni horn
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
Pectus Excavatum - Quentin Yvelin
À partir de n°1 - Coll.
Le blanc nez - Fouss Daniel
Entretiens – Jérôme Dupeyrat
Amos Gitai et l'enjeu des archives - Jean-Michel Frodon
La prise - Florian Javet
Papier magazine n°06 - Coupe du monde
Pour voir, Emscher Park - Gaëtane Lamarche-Vadel
Autodrône - Divine Vizion
The life of Ruben - Bernardo Sousa Santos
Strates - Else Bedoux
La mémoire de l’ordre. Les paradoxes du sens dans l’architecture moderne. - José Ignacio Linazasoro
Gros Gris n°4 - Duel
La traversée - Magali Brueder
Holy etc. - Fabienne Radi
Je ne peux pas ne pas - Geneviève Romang
Critique d'art n°55
Sans titre - Chris Kiss
Délié - Baptiste Oberson 







