Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Stéréo couleurs - Atelier Bingo
< - Gabriel Kuri
Tools #04 – Couper / To Cut
Perturbations - Rosaire Appel
Saint Julien l'hospitalier Tome 1 - Claire Pedot
OKATAOKA MEETS FOLK ART SERIES “HELLO MEXICO”
IBM – Graphic Design Guide from 1969 to 1987
Hmm ! - C. de Trogoff
Flower finds - Orianne Jeanselme
It was a good day - Jeremy Le Corvaisier
Gros Gris n°4 - Duel
La mémoire de l’ordre. Les paradoxes du sens dans l’architecture moderne. - José Ignacio Linazasoro
Strates & Archipels - Pierre Merle
Pectus Excavatum - Quentin Yvelin
УYY - Yelena Yemchuk
The Shelf - Journal 3
Délié - Baptiste Oberson 







